>>67066>It's a random page from one of the parts, this isn't actually the startI mentioned that in the first sentence doe.
>Also we can talk this out on the 'gramBy the time I have a phone number to use for an account, you guys may have finished storyboarding. I could post ideas in the thread since I already have an outline of how the Mayamails would play out in my mind, but that comes with its own problems and may as well be ideasguying. I have no experience animating, so I wouldn't be able to help with that even if I join the 'gram.
>we mostly don't post the storyboards because it would ruin the surprise a bit, and then create expectations, we're not some professional studio but chudsI don't think expectations would get too high if you posted them here. I think the zarty will be glad enough to even have even one of the mails animated. Could be bias talking doe.
>The critic is appreciatedI'm glad, but I should have read more of the thread. My assumption of the project seems to be different from its reality.
>Also yeah the storyboards will be released when the project/parts are done, we're not greedyThat's good to hear.
Even doe I mentioned ideasguying, I have some more minor suggestions so the series would fit the main series and comics.
Somewhere within Mails 3-6, Maya could remember having to have her cat put down because of Coco's allergies when they were kids, or at least look at a photo of herself with the cat, to connect to that one comic and Massa's idea of an episode about Maya's cat.
If you give Mymy's sister an arc in the background to set up the comic of her with a poster of Mymy, I think she should only start appearing in Mail 7, at the mall. Mymy could start or stop attacking the mall Santa because she noticed her.
I always assumed Maya met her imaginary friends after the Mayamails, but it would make more sense for her to have met them beforehand, letting her imagine herself as Anne Frank and her male imaginary friend as the boy in Mail 1, giving her a reason to feel bad about imagining hidden sex because she knows he's just a random boy.
Likewise, Mail 9 could end with her imagining her imaginary friends as her band members playing a punk version of the ending theme.
Mail 12 could have Maya receive the second rose then look around the room at the faces of the boys in her class. The camera would switch between closeups of them to represent Maya's POV, and they would look back at her without any interest, at Coco with interest, or off into space because they're high or airheaded. Each closeup would have an accompanying audio cue fitting their character. She wouldn't favor any of them over any other, and may not even have commentary on them at all. To discourage shipping, the scene would cut to the outside of the classroom as she gets up to ask one of them who gave it to her. This would be followed by a loud "WHAT?!" that would spook the birds in the area. The scene would go back to the classroom, Coco explaining the situation while the tinnitus noise and heartbeats play in a crescendo, Maya tearing the rose(s) apart in retaliation when they reach their climax. She would storm out before the camera cuts back to the classroom from the doorway, giving a view of how the class, especially Coco, takes it, followed by a scene transition, either to the next day or whatever else you guys have planned.
This last idea is less of a suggestion to tie into the lore and more of a suggestion to fix Massa's problem. Making Adam, the big, weirdly drawn student with the goatee and evil-looking face who Massa said he had no idea what to do with, be the class bully or something could be interesting. Massa had plans for an episode where a classmate bullies Maya, only to be bullied back by Coco until he goes insane, and another episode idea had Mymy's sister transfer into class. It would kill two birds with one stone. She would fill the missing seat left by Adam until she went back to Japan. While you're obviously not adapting those ideas, having a detail like that could help things be more dynamic and give an obvious downside to Coco's personality and relationships with others, helping any future projects.