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They are not ones whom we call the "neighbor" THOUGH. It's normal to hate them, because both the Father and the Son commanded us to, and the Spirit also leads us to this, or whatever the faith is LARP'd online.
Picrel is a tranny atlantean sketch made by an ancient aryan
cutting yourself and euthanasia aren't human rights, troon.
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>it take jobs from artists
Ok, and? Post humanism is basedSFG
> and It will take some engineering jobs
No they are not, enginners are always valuable
what cheaper hiring a human engineer or a robot who does the same.
you want disgusting fat smelly women who play with their food in public because you are insecure and think a normal girl would never really love you. sad! pathetic!
i remember when autists used to have vril...
Charsa WABAG
Several years ago, I stumbled upon an exceptionally beautiful yet little-known art series titled Canterlot Royal Ballet Academy. While ostensibly a fan work of My Little Pony, its uniqueness struck me as so profound that it felt almost entirely original - save for the character names. As the title suggests, the story follows the lives of anthropomorphic ponies attending a ballet academy.
I can't quite pinpoint why, but this work radiates a surreal, otherworldly aura - a uniquely captivating atmosphere unlike anything I'd encountered before. That first encounter left me immersed in its surreal experience for an entire day. When I stumbled upon it late at night, it felt eerie at first, but that sense of dissonance quickly dissolved into pure admiration. I fell into a beautiful trance, utterly captivated. I experienced an indescribable surreal, ethereal sensory journey, while also catching whiffs of a sweet, phantom scent.
The next morning, I thought it had been nothing but a dream, yet I was delighted to discover it was all real. Throughout the rest of that day, the sensation intensified, leaving me in a perpetual state of waking reverie, only ending when dusk eventually washed it away. Strangest of all, once that feeling faded, I could recall nothing of the day's events - only that serene, eternal sense of serendipitous bliss remained.
Whenever I gaze upon it, a peculiar feeling arises - as if it were something that shouldn't exist in reality, something unimaginable. Like a fragment of some magical dream miraculously transplanted into reality. Without any backstory, I could fully envision the entire series as if it truly existed. This wasn't a story I'd invented; it felt as though the sensation itself contained an inherent narrative thread. I can vividly picture the dreamlike fragmentation, imbued with a fleeting innocence. I can even precisely imagine how each character's voice should sound - those otherworldly tones seem to transcend time and space, originating nowhere in particular yet carrying an intensely intimate quality.
My fascination with CRBA has never waned over the years. I scoured the internet for every trace of it, only to discover how remarkably obscure it remains - a fact that deeply disappoints me. It seems everyone who encounters it finds it utterly brilliant, yet for some reason it never gains the recognition it deserves. AVCHonline's artistic evolution has been equally astonishing. Within just a few short years, he's leaped from rough cartoon sketches to the pinnacle of the CRBA series, yet even his earlier works have garnered more attention than his later creations.
I've made it my mission to make people find out about it and (hopefully) experience the same awe that I felt. So I've created a website to catalog all of the artwork in one place (and in the highest quality). Prior to this, it was scattered in many places across the internet, much of it only available in low resolution.
I've also created an imageboard for it.
The main site is here: https://crba.dedyn.io
The imageboard is here: https://ib.crba.dedyn.io
For an introduction to CRBA, I recommend starting with the AcademyLIVE sub-series: https://crba.dedyn.io/?id=181
For the absolute peak of it (all of CRBA is amazing, but I think this one in particular is probably the most detailed and stunning): https://crba.dedyn.io/?id=88
I also recommend checking out his music and animations for the CRBA series here: https://crba.dedyn.io/video
this was posted when i first joined the sharty geg it was months ago
I don't fully understand this thread, especially at post 136325. Has the sharty always been this way?
For me I believe /qa/ and sharty culture is the last good bastion against the stupidity of the modern world, but I don't fully understand these teens who say that it has turned into another "generic altchan" as if it has always been 4cuck 2.0 (not for me at least)
Can anyone explain to me what they really mean and how they wish for the sharty to be better? I care for this culture and don't want it to die, it's probably one of the only few things left that is keeping me sane in this crazy modern world we live in 18 replies omitted.
nothing will happen. Doll is a marionet of Froot. He didn't do shit and wont do shit
Doll was very neutral or at least appeared to be in and of himself, so whatever is happening now will most likely continue
Doll is liked, not because he was necessarily a good admin, but because he was a nice guy. Contrast this with Froot, who is a massive asshole.